Like a Degas dancer in a minimalist scape, she enters
The MoMa gallery briskly, not intending to linger
Shades of white on white canvas, white walls
Light fixtures emanating white light, like
An isolation room in an insane asylum. She thought
Art was supposed to move, provoke, offer respite, delight.
As she moves in, her head tilts, baffled by an eggshell ink-not painting
Unbroken, except by the scribbling of his name.
Light fixtures emanating white light, like
An isolation room in an insane asylum. She thought
Art was supposed to move, provoke, offer respite, delight.
As she moves in, her head tilts, baffled by an eggshell ink-not painting
Unbroken, except by the scribbling of his name.
She ventures a guess into the artist’s mind
Maybe it’s the crisp, white sheet he drapes over his body
Before slapping off the alarm, noise breaking
Circadian rhythm and silence, stirring to wakefulness
Like a spoon in frothy cream on his coffee, hot jolt
To push him through early traffic hours. Then again,
Perhaps it’s his white button-down shirt, unadulterated
Before his black tie runs a thick line, like a Sharpie,
Down the front, or the back of a sheet of paper, fresh with possibility to day
Dream, he jots down the initial sketch of a mountain retreat.
Or it’s clouds, cumulus puffs against a blue sky as he lies on his back
Grass tickling his ear as she laughs beside him, then their fingertips
Touch, or the chef’s apron at the French restaurant where their eyes
Delight with fire as he slides the diamond on her slender finger
After she says yes, then it’s lilies, a veil, reams of pure white bridal
Beauty, then meringue on his cheek, and laughter, deep and long.
Maybe it’s her hair, long after the blonde has taken flight.
Or the cat she loved, but he hated. No, why would he paint that?
Maybe it’s snow, softly blanketing the hill on the other side of the world
As they watch it fall outside windowpane, warmed inside, but now
They are four, and two giggle and twirl in white tulle after
The Nutcracker ballet, Tchaikovsky plays, fitting musical score
For this season in life, or perhaps, thinking of a new beginning
He paints over the trials and pain of loss with white out?
Or does he seek to capture He, who was transfigured?
His face shone like the sun, His clothes white as light.
Love conquers death.
Yes, that’s it.
Grass tickling his ear as she laughs beside him, then their fingertips
Touch, or the chef’s apron at the French restaurant where their eyes
Delight with fire as he slides the diamond on her slender finger
After she says yes, then it’s lilies, a veil, reams of pure white bridal
Beauty, then meringue on his cheek, and laughter, deep and long.
Maybe it’s her hair, long after the blonde has taken flight.
Or the cat she loved, but he hated. No, why would he paint that?
Maybe it’s snow, softly blanketing the hill on the other side of the world
As they watch it fall outside windowpane, warmed inside, but now
They are four, and two giggle and twirl in white tulle after
The Nutcracker ballet, Tchaikovsky plays, fitting musical score
For this season in life, or perhaps, thinking of a new beginning
He paints over the trials and pain of loss with white out?
Or does he seek to capture He, who was transfigured?
His face shone like the sun, His clothes white as light.
Love conquers death.
Yes, that’s it.
She loosens the red ribbon from her hair
Leaves it there, then smiles and walks away
But won’t deign to call it Art, not today.
Leaves it there, then smiles and walks away
But won’t deign to call it Art, not today.
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